Daytonology was visiting Sacramento during Pride Month, so a belated Gay Pride thread for Dayton, doing some Gay History (and, yes, there is such a thing)
Before Gay Bars: The LeveeI don’t know if there were saloons or halls that catered to gays back before prohibition, but I do know that in the police records there was one or two arrests per year for ‘impersonating a female”. Unfortunately the records don’t list particulars for those cases.
I do suspect, and this is just speculation, that the levee was a place of assignation, a cruising spot. I say this because the levee was the cruising spot in modern times, but not actually
on the levee, which makes me think that this is a name carried down from an earlier location that’s long gone.
Perhaps this location:
…which appears in the New Dayton Illustrated
This would be the levee wrapping around downtown from Wilkinson Street to the west and south down to 4th or 5th.
Outdoor cruising spots have been pretty common in gay history: famous ones were Hempstead Heath in London, the Siegesaule (Victory Column) in the Berlin Tiergarten, and the square in front of the Bolshoi Theatre in Moscow. For the US it used to be ‘the rocks” on Lake Michigan and Bughouse Square in Chicago and Pershing Square in LA.
In Ohio pioneer gay writer Edmund White mentions the old, pre-urban renewal Fountain Square as gay cruising spot and pick-up place in his early semi-autobigoraphical fiction
And for Dayton, it might have been this tree shaded promenade, which might have been more a meeting place rather than a sex space.
Another thing that leads me to think this was the orginal Levee is that nearby Robert Boulevard was a place of residence for gay men. Older gay men tell me their first sexual encounters were sometimes in these old houses, by then turned into apartments
The Levee was a long-lasting institution for those wanting male/male sex. It even made it to the internet era in the 1990s as there was the Levee BBS as an early online meeting & hook-up place for Datyon gay men
Another cruising spot was Cooper Park. No supposition here as there is documenation of tis as a place of assignation.
Cooper Park appeared in a collection of coming-out stories, where one of his authors mentioned his first encounter was arranged here, with a local educator (either a principle or school board member). The landscaping in these pix is somewhat sparse, but by the 1920s and 30s it was probably much more lush
City of Bachelors: Single Men DowntownCooper Park might have been equivilant to Bughouse Square and Pershing Square as it (and the levee) was in an area of rooming houses and small apartments and cheap hotels, the other side of downtown Dayton.
Unattached men of whatever sexual orientation where considered deviant, as discussed in Todd DePastino’s “
Citizen Hobo (which discusses the moralistic tut-tutting about “Hotel Society” as well as the intinerant world). The book also has a section on “Hobosexuality”, discussing how this single society gave some cover for homosexuals.
A collection of character studies on Chicagos’ “Hobohemia” mentions gay, transvestite and lesbian establishments as part of Chicago’s
Towertown, near Bughouse Square.
One can also see the SRO/roomer world as the gay habitat in
John Rechy’s
City of Night, recounting his days as an itinerant hustler.
For Dayton, the 1933 housing study helpfully identifies Dayton’s “Rooming House District” as the “1st Ward”’ AKA downtown and environs. Perhaps Dayton’s first "gayborhood (though it was shared by a lot of other folks).
What’s remarkable about this map is the concentrations, not mention it may not be counting one room and studio apartments, which would up the single population even further.
A close-up with some references. Note, though, that a lot of these roomers were single woman, as there was a big rooming house or hotel for single Catholic country girls come to work in the city, in that quadrant northwest of Main Street.
But there were a lot of apartments and perhaps residential hotels downtown. The most famous was the Arcade, but there were others, like these two on the Courthouse Square block (Atlas Hotel and Ratterman Apartments).
One can easily see this world of downtown apartments and single room occupancies giving cover to a gay demimonde.
The Oldest Gay BarLooking at a map of the block that had the Atlas Hotel and Ratterman Apartments. The buildings are on the lower left hand corner. And, on this same block was Dayton’s first gay bar, 24 W Second Street. The Latin Lounge, on the ground floor of a parking garage (click on the image to enlarge).
There may have been other post-Prohibition places, but this is the first one old-timers that I’ve talked to remember.
From what I’ve been told this place wasn’t gay until later at night, which would parallel an old-school approach to socializing and meeting. A bar or restaurant/bar would have a predominantly straight clientele, but as the evening wore on the straight folk would finish up their dinners or drinking and go home, and gays would slowly filter in until the establishment was predominantly gay by late evening and closing. The old Bungalow Restaurant on Mill Street in downtown Lexington used to operate this way.
The Latin Lounge opened in the early 1950s, say 1952 or 53. In the early 1960s, say 1961, it changed names to The Stage Door Musical Bar. “Musical” was an old school coded way of referring to one as gay…as in “He’s musical”. Old gay slang…the lost language of queens. But the yellow pages of 1966-67 does list it as having live music.
The name change happened after a brutal murder or gay bashing associated with a Latin Lounge pick-up gone wrong. There was an earlier Stage Door in Dayton, but it was in the Mayfair Burlesque building, and as far as I know has no relation to this name change.
The Stage Door remained on 2nd until the early 1970s, when urban renewal demolition for Courthouse Square forced the location to change to Jefferson Street (1973), where it remains today.
Dayton’s Second Gay BarThe well-remembered but short-lived “Club Tai Tae” (the city directories call it “a cocktail lounge”) shared the second floor of the Victoria with the Schwartz School of Dance. You can tell where the place was by the porthole windows:
(image from the unfortunatly out-of-print Dayton Sketchbook, which was one of the better books on the city)
The odd name was because this was a Korean Karate studio before it became a bar, and I guess the owner decided to keep the name as cover or because it sounded exotic, like a tiki bar.
The place was a piano bar, and the piano player, Harry, was also the doorman at the Stage Door in later years. When Harry passed his funereal was at the local Metropolitan Community Church (a GLBT-oriented church) and was a sort of landmark event.
The Third Oldest Gay BarThis being Dayton building demolition rears its ugly head in any story, and it does here, as The Martinque, Dayton’s third oldest gay bar was torn down, perhaps twice!
The Martinique started out as a cocktail lounge on Salem Avenue, between the bridge and Grand Avenue, opening in 1967. Presumably it served the singles who were living in the
new apartments buildings in Grafton Hill.
And perhaps those buildings attracted a gay population, too. There was an ownership change in 1970 or 71, and after that the place turned gay. Eventually it became Dayton’s lesbian bar (the first?) until being closed and torn down in the early 1990s. It was in a converted old house when I moved here, but I am not sure if that was the original location.
The Oldest Gay Bar TodayWhen the Stage Door relocated to Jefferson it moved to the building on the left, with an expansion in the 1980s to the building to the right. So there are really two buildings and two bars here. The first, older bar is usually closed, but open on weekends if there is a big crowd or special event.
Also, when the bar relocate it apparently retained the "Muscial Bar" listing in the phone book, too. Reportedly it was a stop-over for traveling entertainers who were either gay or gay freindly, among them Betty White, who supposedly gave a little impromtu concert here
The Stage Door is repositioning the original bar as sort of a Country/Western place, but at the back of the bar in this little alcove are two marionettes, reminders of the theatrical connections of the place.
The Urbanophile
